A short film made for french TV, En Profil dans le Text, by Eric Rohmer. Dealing with the salons of Diderot.

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

A 40 year old man who has celebrated his birthday alone by himself invites his four lovers to a dance class that he teaches in order to search for the roots of his own loneliness and by reminiscing the memories of how each of his love affairs were evolved and diminished, he realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love..

A 40 year old man who has celebrated his birthday alone by himself invites his four lovers to a dance class that he teaches in order to search for the roots of his own loneliness and by reminiscing the memories of how each of his love affairs were evolved and diminished, he realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love..

Professor Diarmaid MacCulloch explores how Christianity has shaped western attitudes to sex, gender and sexuality throughout history

Professor Diarmaid MacCulloch explores how Christianity has shaped western attitudes to sex, gender and sexuality throughout history

瓦伦丁（沃坦·维尔克·默林 Wotan Wilke Möhring 饰）刚刚花重金为自己置办了一幢豪华的别墅，没过多久，他就收到了好友提奥（法比安·布施 Fabian Busch 饰）的请求，希望他能够将房子借给他，让他和他的情人茉莉（菲琳·罗根 Pheline Roggan 饰）共度良宵。提奥是一个身体孱弱性格懦弱的男人，和妻子的感情常年不和，他之所以会婚内出轨，也是听信了瓦伦丁的鬼主意。 　　哪知道一夜过去之后，瓦伦丁接到了惊慌失措的提奥打来的电话，当他火急火燎的感到新房时，等待着他的竟然是茉莉冰冷的尸体，还没有捂热的新房竟然在转瞬之间成为了凶宅。

From the moment Thomas Edison shocked the public with May Irwin's unabashed kiss, the movie industry has become a battlefield for audiences who can't get enough of a good thing - and critics who believe some things are better left behind closed doors. SEX, CENSORSHIP AND THE SILVER SCREEN, a six-part documentary written and directed by Frank Martin traces the evolution of sexuality in America film, from the silent-film vamp Theda Bara to Elizabeth Taylor to the temptresses of ''Showgirls.'' Harrison Ford, Melanie Griffith, Marisa Tomei and Daryl Hannah recreate the voices of Hollywood legends to chronicle the continuing clash between screen sexuality and censorship. Raquel Welch is the host.

From the moment Thomas Edison shocked the public with May Irwin's unabashed kiss, the movie industry has become a battlefield for audiences who can't get enough of a good thing - and critics who believe some things are better left behind closed doors. SEX, CENSORSHIP AND THE SILVER SCREEN, a six-part documentary written and directed by Frank Martin traces the evolution of sexuality in America film, from the silent-film vamp Theda Bara to Elizabeth Taylor to the temptresses of ''Showgirls.'' Harrison Ford, Melanie Griffith, Marisa Tomei and Daryl Hannah recreate the voices of Hollywood legends to chronicle the continuing clash between screen sexuality and censorship. Raquel Welch is the host.